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Chicago
Tribune ***½
Greenebaum's
debut is one of the strongest for a young American indie
moviemaker in several years: a stirringly realistic, humane
comedy-drama that's full of invention, truth and life.
Dallas
Morning News
Lovely and Loving. Assisted Living is one from the heart and deserves
to find a wide audience.Those
who see it will leave the theatre feeling positive about the human
condition.
The
New
Yorker
"A transforming, moving experience."
Los Angeles
Times
While most recent American independent films grasp for a low-budget
version of Hollywood slick or embrace a type of forced quirkiness that
at least one critic referred to as "the curse of Wes Anderson," few
embody the type of genuine offbeat charm that was seen in films like
Richard Linklater's "Slacker" in the early '90s. Writer-director Elliot
Greenebaum's "Assisted Living," however, is authentically
unconventional — opening in the form of an almost convincing mock
documentary — but it gradually evolves into something more deeply
affecting.
Washington
Post
"'Assisted Living' never gets old!"
Washington
Post (2nd Review)
"This
quiet, often meditative film is filled with observant, graceful touches
that suggest the assured hand of a veteran filmmaker."
New York Newsday***
"Riley is the star. A one-time circus performer, she returned to the
theater and acting at age 60 (she's now 80) and her performance as Mrs.
Pearlman is right on the money."
Slate
Assisted Living jells. Maggie Riley is
astoundingly
convincing, and she and Bonsignore's Todd have an unforced chemistry
that catches you off guard.
San
Francisco Bay Guardian
Elliot Greenebaum's first feature intriguingly mixes elements of
vérité, improv, mock-doc and scripted seriocomedy and builds into
something that rewards with considerable truth, poignancy, and grace.
Christian Science Monitor
"Gently filmed, quietly thoughtful, sometimes almost heartbreaking."
AARP
Magazine****
Greenebaum's
setting and his troupe of amateur actors bring rare
authenticity to the film, which manages to be both funny and earnest at
the
same time.
New York Times
"As the camera fixates on frail, spotted trembling hands unsteadily
reaching out, it is impossible not to imagine a future in which those
hands could be yours."
Pop
Matters
"Assisted
Living raises other questions, having
to do with the ways that fictions shape everyone's lives, the faces you
put on and the stories you tell (yourself and others), to get through
each day. Shot at a real assisted living home, the Masonic Homes of
Kentucky, and featuring real staff members and residents, the film uses
its part-documentary structure to explore such profound fictions, the
ways all narratives, all identities, might be understood as efforts to
stave off daily, unfixable fears -- of incoherence, of loss, of
rejection. The easy moral to draw is that everyone needs assistance in
living, but the more difficult truth is that living is illusory always."
Indiewire
"Greenebaum is an alchemist, combining real moments and real people,
documentary style, with an exceptional story and what ensues is a
magical film."
TV
Guide ***½
"Greenebaum's
film deals honestly with the elderly without a trace of
condescension, and it can be very funny. The chemistry between Todd and
Mrs. Pearlman is often wonderful, but the film's best moments are those
which show the facility's residents simply doing what they do. . .
Greenebaum manages to portray old-age as a condition with its own
peculiar beauty and considerable grace."
New
City Chicago
"Assisted
Living is an audacious work of hope, compassion and grace."
Long
Beach Press Telegram***
Greenebaum intersperses scenes with his actors with shots from the
nursing home, his camera lingering on the resident's bony fingers and
swollen feet, capturing small moments of triumph (putting on a sock,
for instance) and heartbreak (a hand searching for an object that isn't
there). The result is a blend of fact and fiction that feels like a
breath of fresh air in a medium that too often trivializes the hard
realities of age.
Film
Threat ****
"It’s absolutely pretty to
look at
throughout – magnificently shot! Filmed at a real nursing home with
many of the actual patients making appearances, it’s difficult at first
to tell whether this is a documentary or a fictional work and this
makes “Assisted Living” all the more involving."
Catholic News Service
"Directed by first-timer Elliot Greenebaum, "Assisted Living" manages,
despite its no-frills look, to offer a moving meditation on loneliness
and the human need for contact and compassion."
FilmCritic.com
Generously appreciates the very human
conditions of its characters and culminates in a unique story worthy of
attention.
Variety
"Assisted Living will connect with audiences tired
of
Hollywood's sentimental portrayals of growing old. It will also draw
inevitable comparison to 'One Flew Over the Cuckoo's Nest'."
Joe
Critic
Greenebaum treats his subjects with the
greatest respect, almost love.
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Elliot
on NPR's Kojo Nnamdi Show
Radio Interview with Elliot
Elliot
on NPR's On Second Thought
Radio Interview with Elliot
Interview
with Elliot on Coping with Caregiving
Radio Interview with Elliot
NPR's
Morning Edition
Interview with
Elliot Greenebaum
New
York Times Magazine & Letters
to the Editor
"Like a cross between Errol Morris and Todd Solondz."
San
Francisco Chronicle
Feature story about Producer Alex Laskey & Elliot Greenebaum
Online
Interview with Elliot Greenebaum

The
New Yorker Cartoon. (click to see full size)

New
York Magazine "Approval Matrix." Assisted Living is
"Highbrow" & "Brilliant" (click to see full size)

Esquire's "7 Most
Remarkable Things in Culture This Month." (click to see
full size)

Hadassah Magazine story about
Maggie Riley, the actress who plays Mrs. Pearlman (click to see full
size)
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